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Mina Barua

 National Singer

   

 

Childhood and how I started singing

I was born in Kishorita village in the district of Gajipur. I was the youngest of three children of my parents. Mine was a musical family. My mama (maternal uncle) used to perform in Jatra Pala. My mother was a good singer too. This surroundings in my childhood prompted me to sing. When I was six I used to sing songs which I came to listen on Radio. 

Ostad  Gopal Sarkar who were performed with my mama in jatra, one day listened my songs and was very pleased. He told that he would give me teachings on songs. I bought a harmonium at his instruction and began to learn.

It was in 1968.  I began to learn with another ostad named KM Monem of Gajipur. He took me to Radio Bangladesh . There was a weekly program of children on Radio directed by Abdul Latif. Passing an audition I began to perform in it. Regularly every Friday I attended the program.

I had to struggle a lot to attend the programs early in the morning since communication means was not that easy those days. I had to wake up at 4 am. to get ready and then pass a long way--some on foot, some by rickshaw and the rest by bus. My father always accompanied me.

One day it rained in torrent. Because of heavy rain a ditch on the way from our residence to the main road to Dhaka was full to the brim. My father forbade me to go to Dhaka as there was no means to get across the water. As I repeatedly insisted on my going, my father gave way to my wish. But how to cross the ditch? Now, I dared wade through the water. I successfully crossed. But I got everything including my dress except my khata (practice book) wet. The rickshawala who regularly took us to the main road helped me to get my dress dried by arranging fire. It took nearly an hour. Then we resumed our journey.

At the very outset I had to encounter very adverse situations. People around me did not take my singing very easy. Some teased me outside my window at the time of practice, some uttered very embarrassing words. All was, I felt, for I was a girl. Had I been a boy, they would have not done so. I ignored all and went on with my singing.

Study life

Those days, it was very difficult for girls to go for education. I had to struggle a lot for this. I had to stay at my relatives house in Kapashia and Comilla for my study. I completed my schooling in Kapashia, Gajipur where I stayed at my maternal uncle's house. My college life was completed  in Comilla. From Jagannath College in Dhaka I completed my BA and MA. I did a four years' degree called 'Sangeet Bisharad' from Chandigarh in India in 1998.

My career

I hardly went down with my career. I sing on Radio since before my marriage. As mine was an early marriage there was a short halt in my performance immediately after marriage. But within a short time I went back. Ever since that time I am going on like me. Never I had to think of down fall. Still I am Special Grade Artist of Bangladesh Betar and Bangladesh Television.  I prefer stage shows. But the present condition  of stage shows is rather  awful. Young singers  have created  such an atmosphere  that singers have to dance on stage while singing which I dare not sustain. Today's singers dance rather than sing. But things should not  be like this. Singing  is a matter to be felt by heart. Dancing is something  else. 

Other than singing in various media I have gone abroad  for cultural shows several times. All those tours were arranged by Bangladesh Government . I do not prefer commercially arranged private tours as those lack security farcicalities. On the other hand Government tours are safe and formal. I traveled India,  Thailand, South Korea. Japan, China and Singapore. Very recently I joined Department  of  Music and Theatre of Dhaka University as a lecturer.     

My family's reaction towards my profession

I must recall that, all my relatives appreciated my genius. There inspiration took me a long way towards success. My father's inspiration was the best I ever got. He escorted me to all cultural points in my childhood. My mother and my brother  encouraged me to a great extent for my being a singer. 

My family

I have got a son and a daughter. Goutam is the elder and he is doing his honors in English in Calcutta University. Gouri is in class five. I would like to build up them as singers more renowned than me. Both of them sing well. I do not force them right now to sing since it may hamper their studies. My husband Dharma Darshi Barua is an officer of Bangladesh Betar. He was a freedom fighter. He fought under the command of Mofazzal Hossain Chawdhury Maya in sector number 2 . He himself is a singer who has a B Muse degree. 

My husband encouraged me

My husband played a vital role in upgrading my career. He never attempted to stop me, rather his sincere cooperation brought  me to my today's position. For his inspiration I went abroad for higher degree on music. He had to sustain some difficulties for my profession of a singer, but he never complains. My father in law and other members of my husbands family feel proud of my career and never create any obstacle. 

How I manage my profession and my family

I am a singer and at the same time a housewife. Sometimes it seems a bit difficult for me to adjust my time but I can manage well enough. I think I have the capability to play both my roles i.e. a singer and a housewife. My husband shares my household works which is why I can manage both my profession and family. Sometimes I work up in the midnight in order to conveniently carry out my next day's schedule.  

How I would react to any prohibition

My family is very much cooperative. So I do not think that any complaint may arise from my family against my profession. If  so happens, first I will try to settle the circumstances. Nevertheless, if I am forced to leave my profession I am prepared to turn down. I will protect my profession anyhow and my own decision will be my foremost consideration. 

Message

As a singer I want to convey a message that new generation is in the habit of violating the real beauty of old songs which is very deplorable. Old songs are our heritage. Why should we mar their melody? If so continues to happen, coming generations will miss the real extract of those songs. So this practice should be stopped.

My view as a woman 

I have observed the narrowness and ugliness of our social mind. This society is yet to learn to permit women flourish their genius. Still there is hindrances to women in every steps. In our early life it was 'more difficult' and now it is 'difficult' for women to move freely. It is, therefore, problematic for women to prosper.  This situation should be changed. People should change their  views, women should broaden their outlook and social administration must create necessary atmosphere for women.

 


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